Subject
5 articles
Nike | 動かしつづける。自分を。未来を。 / The Future Isn't Waiting. | 2020
In November (11) 2020, all of Japan held its breath for two minutes. The film believed that the urge to play sports could lightly blow away garbage like discrimination. I've watched it ten times. "A standard masterpiece" feels like the right phrase for it, but that makes me wonder: what's the difference between a standard masterpiece and one that isn't standard at all?
Nike | Dream Crazier | 2019
This 90-second spot, narrated by Serena Williams, aired during the 2019 Oscars broadcast. No new technology, no imagery you hadn't seen before—and yet it became one of the defining ads of the year.
JOHNSON & JOHNSON | 5B | 2019
A 94-minute documentary won the Grand Prix in the Entertainment category at Cannes Lions, an advertising award. What's more, it had an official screening at the Cannes Film Festival and got a theatrical release in more than 100 theaters across the US. A brand made it, but it ended up working as an actual film.
UN WOMEN | THE AUTOCOMPLETE TRUTH | 2014
Type "women should" into Google's search box, and it fills in the rest with words of discrimination. This wasn't any one person's opinion—it was the answer pulled straight from everyone's search history.
NIKE | SKATEBOARDING | 1998
Skate through the city and a security guard comes running. Try a trick in front of a shop and someone starts yelling. In 1998, that was just normal life for skateboarders. Nike's response was a single question: "What if other athletes got treated the same way?"