Emotion

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150 articles

Nothing beats a memory / McDonald's "The Reason I'm Here"
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マクドナルド | 家族といっしょに。「僕がここにいる理由」 | 2021

Nothing beats a memory / McDonald's "The Reason I'm Here"

7/20/1971. The day Japan's first McDonald's opened in Ginza. In 2021, it turned 50. This commercial wraps up those 50 years into a single story. Miyako Miyazaki plays two roles: "a junior high school girl on a date at McDonald's 50 years ago" and "the same woman today, eating a Big Mac with her grandchild." A 62-year-old playing a junior high schooler. Just that alone is enough to make you tear up.

Why Did They Turn It Into a Song? / Tokyo Gas "Ganbare Watashitachi"
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東京ガス | がんばれ私たち | 2020

Why Did They Turn It Into a Song? / Tokyo Gas "Ganbare Watashitachi"

In November 2020 (11/2020), right in the middle of the pandemic, Tokyo Gas aired this commercial. A 25-year-old woman chasing her dream of becoming an actress lives through days that don't go the way she wants, all set to a song sung by actress Shizuka Ishibashi herself. Her father shows up in his little truck, her grandmother cheers her on through a smartphone screen, and that's when I gave up fighting the tears.

Repainting "boring repetition" with pop music / Warner Music "Saylists"
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WARNER MUSIC GROUP | SAYLISTS | 2020

Repainting "boring repetition" with pop music / Warner Music "Saylists"

One in twelve children has a speech sound disorder (SSD). The key to therapy is repetition — but for kids, that's just plain boring. So what about music? Or rather, isn't music itself the ultimate form of repetition? Starting from that simple question, Warner Music and ad agency Rothco used an algorithm to analyze a 70-million-song Apple Music catalog and created "Saylists," playlists with genuine therapeutic value.

What's Lost and Gained Over Two Years / Kirin Afternoon Tea "Aitai tte, Atatametai da. 18 Fuyu"
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キリン 午後の紅茶 | あいたいって、あたためたいだ。18冬 | 2018

What's Lost and Gained Over Two Years / Kirin Afternoon Tea "Aitai tte, Atatametai da. 18 Fuyu"

This series began in winter 2016, and apparently this is its conclusion. It's the kind of project where the casting alone practically guarantees success, but using the same actors across multiple years takes it even further. You can clearly see, right there on screen, what's been lost and what's been gained, and in that sense a different kind of charm emerges.

富士通テン ECLIPSE(イクリプス) | Father's Drive | 2017

An Experiment: Can You Recognize Your Father's Driving, Even Blindfolded? / FUJITSU TEN ECLIPSE "Father's Drive"

I stumbled on this while looking into something else, and ended up watching the whole thing without meaning to. It's an experiment where blindfolded kids try to pick out their father's driving from among three different drivers. The way the question is set up is great — it sits right on that line of "hmm, could they actually do it?"

Will anyone do this for me when I retire? / Suntory BOSS × Tokyo Metro "Working Is a Wonderful Thing. THE LAST TRAIN"
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サントリーBOSS | 働くって、いいもんだ。THE LAST TRAIN | 2017

Will anyone do this for me when I retire? / Suntory BOSS × Tokyo Metro "Working Is a Wonderful Thing. THE LAST TRAIN"

This is the story of a surprise staged for a station manager's retirement, at Akihabara Station after the last train had gone. On a platform where no one should have been at that hour, his coworkers were waiting for him. Just imagining someone close to you reaching their "last shift" is enough to bring tears to your eyes.

"Your voice is way too loud!" laughed the senior. Viewers cried. / Kirin Afternoon Tea "I Want to See You, I Want to Warm Up"
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キリン 午後の紅茶 | あいたいって、あたためたいだ。 | 2016

"Your voice is way too loud!" laughed the senior. Viewers cried. / Kirin Afternoon Tea "I Want to See You, I Want to Warm Up"

A quiet train platform. A high school girl with white headphones suddenly bursts into song, loud enough to reach the skies over Mount Aso. There's a bit of a puzzle about whether Moka Kamishiraishi's character could actually hear the sound of a drink dropping from the vending machine, which leaves you a little unsettled—but even setting that aside, this is still a wonderful piece of work.

In This Case, the Target Must Be the Parents / CALORIEMATE "Yume no Senaka" (The Back of Dreams)
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カロリーメイト | 夢の背中 | 2016

In This Case, the Target Must Be the Parents / CALORIEMATE "Yume no Senaka" (The Back of Dreams)

This CALORIEMATE commercial cheering on students taking entrance exams follows a year in the life of a son grinding through a second attempt at university entrance exams, from the mother's point of view—from the day he decides to repeat the year to the day of the exam itself. Niiro Murakami, who shaved off his long hair for the role, plays the son, while Misuzu Kanno plays the mother who watches over him with quiet warmth. The soundtrack features Ryota Fujimaki's own cover of Remioromen's song "March 9th."