Emotion

trust

329 articles

A Cool Detachment Only Hidetoshi Nishijima Can Pull Off / Kingsoft WPS Cloud "Freeing Up the Way We Work"
▶

キングソフト | WPS Cloud「働き方を自由にする」篇 | 2022

A Cool Detachment Only Hidetoshi Nishijima Can Pull Off / Kingsoft WPS Cloud "Freeing Up the Way We Work"

A man with two faces: special agent and office worker. While carrying out a mission to rescue a hostage from a burning, collapsing building, he gets a call from a coworker at his IT company, and right there on the spot he finishes editing a document using WPS Cloud. The sheer amount packed into 30 seconds is incredible.

Traveling 58 years in two minutes, from 1956 to 2014 / Mori Building "DESIGNING TOKYO"
▶

森ビル | DESIGNING TOKYO | 2022

Traveling 58 years in two minutes, from 1956 to 2014 / Mori Building "DESIGNING TOKYO"

In two minutes and five seconds, it travels back through 58 years. From Nishi-Shimbashi in 1956 to Toranomon Hills in 2014, six Mori Building projects are stitched together as if in a single continuous shot. Sayoko Yamaguchi, Ryuichi Sakamoto, Takashi Murakami all drift onto the screen looking just as they did at the time. At some point you stop caring whether it's CG or real footage.

Nothing beats a memory / McDonald's "The Reason I'm Here"
▶

マクドナルド | 家族といっしょに。「僕がここにいる理由」 | 2021

Nothing beats a memory / McDonald's "The Reason I'm Here"

7/20/1971. The day Japan's first McDonald's opened in Ginza. In 2021, it turned 50. This commercial wraps up those 50 years into a single story. Miyako Miyazaki plays two roles: "a junior high school girl on a date at McDonald's 50 years ago" and "the same woman today, eating a Big Mac with her grandchild." A 62-year-old playing a junior high schooler. Just that alone is enough to make you tear up.

A year spent fighting something invisible was also a year held up by something invisible / Otsuka Pharmaceutical CALORIEMATE "Invisible Things"
▶

大塚製薬 | カロリーメイト 見えないもの篇 | 2021

A year spent fighting something invisible was also a year held up by something invisible / Otsuka Pharmaceutical CALORIEMATE "Invisible Things"

2020 was a year when everyone fought an invisible virus. And CALORIEMATE still delivered its usual commercial to that year's students taking entrance exams. But things didn't go as usual. Remote classes, disinfectant, acrylic partitions, cancelled competitions. The moment Naotaro Moriyama's "Sakura" started playing, the tears wouldn't stop.

Repainting "boring repetition" with pop music / Warner Music "Saylists"
▶

WARNER MUSIC GROUP | SAYLISTS | 2020

Repainting "boring repetition" with pop music / Warner Music "Saylists"

One in twelve children has a speech sound disorder (SSD). The key to therapy is repetition — but for kids, that's just plain boring. So what about music? Or rather, isn't music itself the ultimate form of repetition? Starting from that simple question, Warner Music and ad agency Rothco used an algorithm to analyze a 70-million-song Apple Music catalog and created "Saylists," playlists with genuine therapeutic value.

I Laughed for Seven Straight Minutes / Apple "The Whole Working-From-Home Thing"
▶

APPLE | The Whole Working-From-Home Thing | 2020

I Laughed for Seven Straight Minutes / Apple "The Whole Working-From-Home Thing"

In July 2020, right in the middle of the pandemic, a seven-minute short film arrived from America. It was called "The Whole Working-From-Home Thing." And yes, it was exactly that: kids bursting into meetings, dogs barking, video calls in pajamas, screen-share mistakes, and somehow still making the deadline. The video crossed 10 million views within two days of release. As a sequel to 2019's acclaimed "The Underdogs," it wrapped the chaos that literally everyone was living through in humor.

Why Did They Turn It Into a Song? / Tokyo Gas "Ganbare Watashitachi"
▶

東京ガス | がんばれ私たち | 2020

Why Did They Turn It Into a Song? / Tokyo Gas "Ganbare Watashitachi"

In November 2020 (11/2020), right in the middle of the pandemic, Tokyo Gas aired this commercial. A 25-year-old woman chasing her dream of becoming an actress lives through days that don't go the way she wants, all set to a song sung by actress Shizuka Ishibashi herself. Her father shows up in his little truck, her grandmother cheers her on through a smartphone screen, and that's when I gave up fighting the tears.

Beyond the Standard Masterpiece / Nike "The Future Isn't Waiting."
▶

Nike | 動かしつづける。自分を。未来を。 / The Future Isn't Waiting. | 2020

Beyond the Standard Masterpiece / Nike "The Future Isn't Waiting."

In November (11) 2020, all of Japan held its breath for two minutes. The film believed that the urge to play sports could lightly blow away garbage like discrimination. I've watched it ten times. "A standard masterpiece" feels like the right phrase for it, but that makes me wonder: what's the difference between a standard masterpiece and one that isn't standard at all?