LINEモバイル | 愛と革新。 | 2017

The power of saying nothing / LINE Mobile "Ai to Kakushin. Debut"

45 seconds of Non staring silently at the camera. Kirinji's "Aliens" plays, and at the end only the words "Love and Innovation." appear. It never says the service is cheap. There's nothing else it needs to say, and that's exactly the point.

The problem

LINE Mobile launched as an MVNO in September 2016. After spending half a year refining the service, they started airing this commercial in March 2017, right when the telecom industry gets loudest. They set up same-day sign-up counters in electronics stores, working mass advertising and a real reason to sign up at the same time.

The insight

In an age where specs alone can't set you apart, they chose to compete on philosophy instead. Copywriter Reiko Kojima condensed the brand's two pillars—"simple" and "challenger"—into the single line "Love and Innovation." The commercial exists purely to deliver that line.

The idea

Non, in a white shirt, holds her phone and looks straight into the camera. Only two pieces of information appear: "Unlimited LINE and SNS from ¥1,110~" and "Love and Innovation." The choice of Kirinji's song was also a deliberate move to build the brand's cool, composed atmosphere.

What happened

At the 2017 ACC TOKYO CREATIVITY AWARDS Film category, both the "Debut" and "Intersection" films won Gold.

Afterthought

I bet in the planning meetings, someone said, "Shouldn't we at least say it's cheaper?" But they cut that out, cut it down further, and bet everything on casting and copy alone. And it became a talking point anyway—proof that this approach can move at least some people. By the way, even within the same "Love and Innovation." series, I don't think the later "song" edition landed nearly as well.

Tags

Three more the bear picked for you

Taking Off the Roles to Reveal Just One Person / NTT Docomo "ForONEs 2017"
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NTTドコモ | ForONEs 2017 | 2017

Taking Off the Roles to Reveal Just One Person / NTT Docomo "ForONEs 2017"

This commercial, released by Docomo in 2017 under the name "ForONEs," shows people taking off colorful T-shirts to portray the diversity within each individual. Take off the actor, and there's a dancer. Take off the professional boxer, and there's a single mother. Take off the doctor, and there's a patient. Everyone has multiple faces, but behind them all is just one "self." At a time when everyone and their mother was talking about diversity, this 60-second spot boldly stripped away any sense of "Docomo-ness," and that choice itself feels like a kind of resolve.

In This Case, the Target Must Be the Parents / CALORIEMATE "Yume no Senaka" (The Back of Dreams)
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カロリーメイト | 夢の背中 | 2016

In This Case, the Target Must Be the Parents / CALORIEMATE "Yume no Senaka" (The Back of Dreams)

This CALORIEMATE commercial cheering on students taking entrance exams follows a year in the life of a son grinding through a second attempt at university entrance exams, from the mother's point of view—from the day he decides to repeat the year to the day of the exam itself. Niiro Murakami, who shaved off his long hair for the role, plays the son, while Misuzu Kanno plays the mother who watches over him with quiet warmth. The soundtrack features Ryota Fujimaki's own cover of Remioromen's song "March 9th."