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TVCM

253 articles

What really gets you swimming is everyone cheering you on / Aquarius "NEW YOU Campaign: I Want to Be Able to Swim"
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アクエリアス | NEW YOU キャンペーン 泳げるようになりたい | 2024

What really gets you swimming is everyone cheering you on / Aquarius "NEW YOU Campaign: I Want to Be Able to Swim"

This is a video following a 75-year-old grandmother over 30 days, starting from when she could barely even put her face in the water, as she works toward swimming 25 meters freestyle. It's lovely to see swimmer Kosuke Kitajima coaching her wholeheartedly, showing that age doesn't matter when you want to swim. But what really makes this commercial so moving isn't that part.

The Moment a Story Takes Hold, Aboard a Train / Fujifilm "ASTALIFT"
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富士フイルム アスタリフト | 列車のふたり ナノテクノロジー | 2023

The Moment a Story Takes Hold, Aboard a Train / Fujifilm "ASTALIFT"

What happens when you bring a story into a cosmetics commercial? This ad feels like an experiment in just that. Aoi Miyazaki, disguised in a trench coat, sunglasses, and a blonde wig, jumps onto a train. Masaki Okada, claiming he's "come from the future," launches into an endless explanation of nanotechnology. Seiko Matsuda's "Red Sweet Pea" plays in the background, and in an atmosphere that can't quite decide if it's serious or comic, the two set off on a strange journey together.

A Mom Shines Through Her Fandom, and Gas Barely Gets a Mention / TOKYO GAS "Mom's Fan Life"
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東京ガス | 母の推し活 | 2023

A Mom Shines Through Her Fandom, and Gas Barely Gets a Mention / TOKYO GAS "Mom's Fan Life"

There are a few ad series I look forward to every year, wondering "what will they do this time" — and Tokyo Gas's brand ads are one of them. Their "Family Bonds" series, running since 2008, has delivered one gut-punch after another straight to the Japanese heart, starting with the famous "Lunchbox Email" spot. I admire their work. The 2023 entry, "Mom's Fan Life," tells in 90 seconds the story of a mother who falls for a K-pop idol thirty years younger than her and watches her life open up as a result. It became a huge hit, racking up over 5 million views on Twitter within three days. This time, though, I found myself thinking "it's good, but..."

A Cool Detachment Only Hidetoshi Nishijima Can Pull Off / Kingsoft WPS Cloud "Freeing Up the Way We Work"
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キングソフト | WPS Cloud「働き方を自由にする」篇 | 2022

A Cool Detachment Only Hidetoshi Nishijima Can Pull Off / Kingsoft WPS Cloud "Freeing Up the Way We Work"

A man with two faces: special agent and office worker. While carrying out a mission to rescue a hostage from a burning, collapsing building, he gets a call from a coworker at his IT company, and right there on the spot he finishes editing a document using WPS Cloud. The sheer amount packed into 30 seconds is incredible.

Traveling 58 years in two minutes, from 1956 to 2014 / Mori Building "DESIGNING TOKYO"
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森ビル | DESIGNING TOKYO | 2022

Traveling 58 years in two minutes, from 1956 to 2014 / Mori Building "DESIGNING TOKYO"

In two minutes and five seconds, it travels back through 58 years. From Nishi-Shimbashi in 1956 to Toranomon Hills in 2014, six Mori Building projects are stitched together as if in a single continuous shot. Sayoko Yamaguchi, Ryuichi Sakamoto, Takashi Murakami all drift onto the screen looking just as they did at the time. At some point you stop caring whether it's CG or real footage.

Nothing beats a memory / McDonald's "The Reason I'm Here"
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マクドナルド | 家族といっしょに。「僕がここにいる理由」 | 2021

Nothing beats a memory / McDonald's "The Reason I'm Here"

7/20/1971. The day Japan's first McDonald's opened in Ginza. In 2021, it turned 50. This commercial wraps up those 50 years into a single story. Miyako Miyazaki plays two roles: "a junior high school girl on a date at McDonald's 50 years ago" and "the same woman today, eating a Big Mac with her grandchild." A 62-year-old playing a junior high schooler. Just that alone is enough to make you tear up.

A year spent fighting something invisible was also a year held up by something invisible / Otsuka Pharmaceutical CALORIEMATE "Invisible Things"
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大塚製薬 | カロリーメイト 見えないもの篇 | 2021

A year spent fighting something invisible was also a year held up by something invisible / Otsuka Pharmaceutical CALORIEMATE "Invisible Things"

2020 was a year when everyone fought an invisible virus. And CALORIEMATE still delivered its usual commercial to that year's students taking entrance exams. But things didn't go as usual. Remote classes, disinfectant, acrylic partitions, cancelled competitions. The moment Naotaro Moriyama's "Sakura" started playing, the tears wouldn't stop.

Why Did They Turn It Into a Song? / Tokyo Gas "Ganbare Watashitachi"
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東京ガス | がんばれ私たち | 2020

Why Did They Turn It Into a Song? / Tokyo Gas "Ganbare Watashitachi"

In November 2020 (11/2020), right in the middle of the pandemic, Tokyo Gas aired this commercial. A 25-year-old woman chasing her dream of becoming an actress lives through days that don't go the way she wants, all set to a song sung by actress Shizuka Ishibashi herself. Her father shows up in his little truck, her grandmother cheers her on through a smartphone screen, and that's when I gave up fighting the tears.

Apple plays the ultimate heavyweight move — even including the knockoff logos / Apple "From Behind the Mac — Stories This World Has Never Seen"
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Apple | Macの向こうから — まだこの世界にない物語を | 2020

Apple plays the ultimate heavyweight move — even including the knockoff logos / Apple "From Behind the Mac — Stories This World Has Never Seen"

They made an entire 30-second commercial out of nothing but scenes of anime characters sitting down at their Macs. And get this — some of those Macs have logos that are clearly not the real Apple logo, turned into a heart or a pear instead, yet Apple included them anyway. That kind of generosity really shows the brand's sheer confidence.

The Thing Where Only the Person Who Reads It Says "Ah, I See" / Nikkei Digital Edition "Did You See It? Flea Market App"
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日経電子版 | 見えてきた? | 2019

The Thing Where Only the Person Who Reads It Says "Ah, I See" / Nikkei Digital Edition "Did You See It? Flea Market App"

Nikkei Digital Edition's "Did You See It?" series started in 2019, and it became a talking point for actor Sho Kiyohara's mysterious, repeated line "Ah, I see." This flea market app installment is a 15-second spot where a guy glances over at his girlfriend using a flea market app and, somehow, only he ends up nodding and saying "Ah, I see." Some have praised it for capturing something very relatable about young women today, but honestly, it wasn't easy to tell exactly what he was supposed to be "getting."

What's Lost and Gained Over Two Years / Kirin Afternoon Tea "Aitai tte, Atatametai da. 18 Fuyu"
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キリン 午後の紅茶 | あいたいって、あたためたいだ。18冬 | 2018

What's Lost and Gained Over Two Years / Kirin Afternoon Tea "Aitai tte, Atatametai da. 18 Fuyu"

This series began in winter 2016, and apparently this is its conclusion. It's the kind of project where the casting alone practically guarantees success, but using the same actors across multiple years takes it even further. You can clearly see, right there on screen, what's been lost and what's been gained, and in that sense a different kind of charm emerges.