Subject

diversity

23 articles

A Mom Shines Through Her Fandom, and Gas Barely Gets a Mention / TOKYO GAS "Mom's Fan Life"
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東京ガス | 母の推し活 | 2023

A Mom Shines Through Her Fandom, and Gas Barely Gets a Mention / TOKYO GAS "Mom's Fan Life"

There are a few ad series I look forward to every year, wondering "what will they do this time" — and Tokyo Gas's brand ads are one of them. Their "Family Bonds" series, running since 2008, has delivered one gut-punch after another straight to the Japanese heart, starting with the famous "Lunchbox Email" spot. I admire their work. The 2023 entry, "Mom's Fan Life," tells in 90 seconds the story of a mother who falls for a K-pop idol thirty years younger than her and watches her life open up as a result. It became a huge hit, racking up over 5 million views on Twitter within three days. This time, though, I found myself thinking "it's good, but..."

Beyond the Standard Masterpiece / Nike "The Future Isn't Waiting."
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Nike | 動かしつづける。自分を。未来を。 / The Future Isn't Waiting. | 2020

Beyond the Standard Masterpiece / Nike "The Future Isn't Waiting."

In November (11) 2020, all of Japan held its breath for two minutes. The film believed that the urge to play sports could lightly blow away garbage like discrimination. I've watched it ten times. "A standard masterpiece" feels like the right phrase for it, but that makes me wonder: what's the difference between a standard masterpiece and one that isn't standard at all?

Taking Off the Roles to Reveal Just One Person / NTT Docomo "ForONEs 2017"
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NTTドコモ | ForONEs 2017 | 2017

Taking Off the Roles to Reveal Just One Person / NTT Docomo "ForONEs 2017"

This commercial, released by Docomo in 2017 under the name "ForONEs," shows people taking off colorful T-shirts to portray the diversity within each individual. Take off the actor, and there's a dancer. Take off the professional boxer, and there's a single mother. Take off the doctor, and there's a patient. Everyone has multiple faces, but behind them all is just one "self." At a time when everyone and their mother was talking about diversity, this 60-second spot boldly stripped away any sense of "Docomo-ness," and that choice itself feels like a kind of resolve.