サントリー | 恋は、遠い日の花火ではない | 1994

A Line So Strong It Outshone the Whole "OLD is NEW" Campaign / Suntory Old "Love Is Not Fireworks From a Distant Day"

This line was born in 1994, in the weary air that settled over Japan after the bubble economy burst. It appeared in a commercial starring Kyozo Nagatsuka and Yuko Tanaka—but in the end, it was this copy alone that stuck with people, far more than the renewal message "OLD is NEW" it was meant to carry. I happened to witness that very phenomenon.

The problem

This was around the time the bubble economy ended and the era of ever-rising growth came to a close. In 1994, Suntory Old was renewed, moving away from its traditional rich & mellow character toward a softer, smoother taste called "Mild & Smooth." The Showa-era fighters—roughly the baby boomer generation and those around it—were worn out, and the question was who could give them the courage to keep going.

The insight

Copywriter Takao Onoda thought: if someone trusts you and watches over you warmly, you can surely live with more energy for that person's sake too. He remembered watching fireworks as a child, standing on a bridge at the edge of town. A flower would bloom in the distant sky, and only after a delay would the boom reach his ears. He connected that nostalgic feeling—something that might already be lost—to love. And then he denied it, with "is not."

The idea

Walking home after drinks with coworkers, a female office worker calls out to her boss's back: "I like watching your back, section chief. Can I keep looking at it for a while?" Acting tough, he says "Knock it off," and starts walking on, leaving her behind—and Kyozo Nagatsuka gives a little hop. The commercial song "Yoru ga Kuru" ("Night Is Coming"), written and composed by Asei Kobayashi, plays over the scene. There was also a version in this series featuring Yuko Tanaka.

Afterthought

"Love Is Not Fireworks From a Distant Day" turned out to be so strong that it overshadowed the "OLD is NEW" copy—people don't even remember this was a renewal campaign. But maybe that's fine. After all, it's still "OLD," no matter how you slice it. People in their 40s and 50s who saw this commercial end up having a little conversation with it—and with the sense of adventure still living inside them—every time they spot Old at the supermarket or the liquor store. Quite the thing, really.

Tags

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What's Lost and Gained Over Two Years / Kirin Afternoon Tea "Aitai tte, Atatametai da. 18 Fuyu"
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キリン 午後の紅茶 | あいたいって、あたためたいだ。18冬 | 2018

What's Lost and Gained Over Two Years / Kirin Afternoon Tea "Aitai tte, Atatametai da. 18 Fuyu"

This series began in winter 2016, and apparently this is its conclusion. It's the kind of project where the casting alone practically guarantees success, but using the same actors across multiple years takes it even further. You can clearly see, right there on screen, what's been lost and what's been gained, and in that sense a different kind of charm emerges.

What a Shame - If He'd Been a Jerk, I Could've Punched Him / Suntory Old "Daughter's Boyfriend"
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サントリーオールド | 娘の相手 | 2009

What a Shame - If He'd Been a Jerk, I Could've Punched Him / Suntory Old "Daughter's Boyfriend"

Jun Kunimura says, "I could've punched him, you know." That one line says everything. Before meeting his daughter's boyfriend, the father quietly leaves the room without saying much. When his daughter follows him out, he mutters that single line - and it's packed with so much deep love, resignation, and quiet approval all at once. I was completely won over.

At the end of the year on this planet, Miyuki Nakajima hits you right in the heart / Suntory BOSS "Headlight, Taillight"
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サントリー BOSS | ヘッドライト・テールライト | 2015

At the end of the year on this planet, Miyuki Nakajima hits you right in the heart / Suntory BOSS "Headlight, Taillight"

Less weirdness, more love — that's what I felt watching this commercial when it aired at the end of 2015. The Alien Jones series started out as a bit of an odd concept, but it's been quietly turning into "the way things just are," and honestly, I'm starting to think it's heading toward becoming a truly moving epic. I'm looking forward to it. Really looking forward to it.