Method
38 articles
HEINEKEN | THE PUB THAT REFUSED TO DIE | 2026
In a small village in Ireland, the only pub in town was about to close. Instead of shooting a commercial about it, Heineken went and actually saved the place.
Cathay Pacific | Back to Kai Tak | 2026
Kai Tak Airport closed in 1998. It was known as the world's toughest landing, with planes banking 47 degrees between high-rise buildings before touching down. Twenty-seven years later, Cathay Pacific flew that sky once more. This time, though, it wasn't a landing — it was a flypast.
L’OREAL | THE FINAL COPY OF ILON SPECHT | 2025
A 17-minute documentary that changes a life. Or, to be precise, it's an experience of watching a life that already *was* changed, forever. In 1971, a 23-year-old copywriter wrote four words that are still used around the world more than 50 years later. A film recording the words she spoke at the very end of her life just won the Grand Prix in the Film category at Cannes Lions 2025. This is a story about advertising. And it isn't. It's a story about a human being.
富士フイルム | あしたに続く写真 | 2024
Kazu, Furuta, and Tulio each look back at their past while gazing at old photos. Not every meaningful photo needs a dramatic story behind it, but a single picture that captures a true turning point in someone's life carries a weight that words just can't match.
アクエリアス | NEW YOU キャンペーン 泳げるようになりたい | 2024
This is a video following a 75-year-old grandmother over 30 days, starting from when she could barely even put her face in the water, as she works toward swimming 25 meters freestyle. It's lovely to see swimmer Kosuke Kitajima coaching her wholeheartedly, showing that age doesn't matter when you want to swim. But what really makes this commercial so moving isn't that part.
朝日放送テレビ | M-1グランプリ2023×日食なつこ「ログマロープ」 | 2024
There are manzai comedians who stake their whole lives on four minutes. Playing over the promotional video for M-1 Grand Prix 2023 is Natsuko Nisshoku's "Logma Rope." She couldn't write a song for six months, and this track was born at the end of what felt like hell.
大塚製薬 | 入学から、この世界だった僕たちへ。 | 2023
A track athlete running in a mask, a canoe club member paddling at dusk, a kendo student swinging a sword at home. You can only see half their face, but their eyes alone carry all the intensity.
MICHELOB ULTRA | DREAMCASTER | 2023
Cameron Black was born blind, but he had one dream: to call an NBA game. Michelob Ultra spent a year making that dream actually come true.
COX COMMUNICATIONS | Project Convey | 2022
AI turns the emotions on the other side of a video chat into a single emoji. Cox actually built this prototype for people with autism.
BURGER KING | NONARTIFICAL MEXICO | 2022
No models, no hair and makeup, no beautiful locations. Just black-and-white photos of ordinary people on Mexican streets, biting into a burger. Those photos became billboards — and even made it into a museum.
BEATS BY DRE | You Love Me | 2020
"You love Black culture. But do you love us?" In November 2020, Beats asked that question in a two-minute film.
KLOOP | KOSHOGO | 2019
A white cloth appeared in the city. It was supposed to be a symbol of marriage—but it had become a record of violence.
MARS | THE LION'S SHARE | 2019
Animals are some of advertising's biggest earners, yet they're never paid a cent. The industry decided to fix that contradiction itself. Winner of the Grand Prix in the SDGs category at Cannes Lions 2019.
JOHNSON & JOHNSON | 5B | 2019
A 94-minute documentary won the Grand Prix in the Entertainment category at Cannes Lions, an advertising award. What's more, it had an official screening at the Cannes Film Festival and got a theatrical release in more than 100 theaters across the US. A brand made it, but it ended up working as an actual film.
NIKE | BREAKING2 | 2018
Breaking two hours in the marathon. For that single goal, Nike spent three years. On May 6, 2017, three of the world's fastest runners gathered at an F1 racetrack in Italy.
adidas | I GOT THIS | 2016
Nana Eikura's trained body is godlike without any exaggeration, and the film makes you want to start training yourself, whether you like it or not.
サガミオリジナル | LOVE DISTANCE | 2016
A couple in a long-distance relationship start running toward each other from opposite sides of the screen. A number starting at 1.2 billion millimeters keeps shrinking as they get closer. I never imagined that the number it ends on, 0.02, could hit this hard.
PAINT | COLOR FOR THE COLORBLIND | 2016
For the 300 million people worldwide with color blindness, a paint company found a way to "show" them color. Sounds impossible, right?
NYT VR | THE DISPLACED | 2016
The New York Times tucked one million Google Cardboard viewers into copies of its Sunday paper. Inside was an 11-minute VR documentary called "THE DISPLACED." Readers who opened it up found themselves standing right in the middle of a refugee camp. The following year, it won two Grand Prix at Cannes.
au | SYNC YELL | 2015
There was no time to wonder how much of this was set up and how much was real, because the tears were already coming early on.
HONDA | 試す人になろう | 2015
This ad just seemed to appear out of nowhere. It runs 120 seconds, calmly showing people working at Honda's research facility, nothing more. And yet somehow it has this strange power to make you think, "I want to work here."
MICROSOFT ONENOTE | Collective Project | 2015
Showing college students an ad just doesn't land. So Microsoft stopped making ads and instead "did" the story of a student trying to change the world.
CERVEZA SALTA | TOOTH IMPLANT | 2015
A rugby player loses a tooth during a match. It happens all the time. But this campaign actually implanted a 'tooth that doubles as a bottle opener' in place of the lost one. The surgery, the bottle-opening scene—it's all real. This project won a Titanium Lion at Cannes Lions 2015.
WATER IS LIFE | BUCKET LIST | 2014
When you hear "bucket list," you probably think of things you want to do before you die—a luxury that assumes you'll live a long life. But in sub-Saharan Africa, one in five children doesn't live to see their fifth birthday. There really is a world where a four-year-old needs a bucket list.
Always | #LikeAGirl | 2014
When you ask a grown-up to "run like a girl," they flail their arms and legs around and laugh. But ask a girl who hasn't hit puberty yet, and she runs with everything she's got. That gap took my breath away.
キリン のどごし〈生〉 | 夢のドリーム プロ野球 | 2014
I cried watching the making-of for the baseball edition. The Jackie Chan edition was fantastic too, but this one really gets me. Watching a celebrity take on something huge is moving, but somehow it's even more moving when ordinary people chase an ordinary—or maybe slightly oversized—dream. I think it's because the people at the center feel so much closer to us.
TERRES DES HOMMES | SWEETIE | 2014
A 10-year-old girl identified 1,000 sex offenders in 10 weeks. But she doesn't exist. She's a fully computer-generated virtual girl. This is the story of an ad agency that launched its own criminal investigation.
NOT IMPOSSIBLE LABS | PROJECT DANIEL | 2014
A 14-year-old boy who'd lost both arms said he'd rather be dead than become a burden to his family. A video producer who read that article flew to Sudan carrying a 3D printer, with no medical knowledge at all.
ALS FOUNDATION NETHERLANDS | I Have Already Died | 2012
"Not for me. Because I'm already dead." On screen, people speak plainly, directly to the camera. The weight of this campaign comes from one fact: by the time it aired, every single one of them was already gone.
HYATT HOTELS | THE GREATEST MOVIE EVER SOLD | 2012
A movie that criticizes product placement, made possible by product placement. This is that provocative, mischievous humor from Morgan Spurlock, who turns the contradiction itself into the whole point of the project.
THE PERES CENTER FOR PEACE | Blood Relations | 2012
Enemies, sharing each other's blood.
KYUSHU RAILWAY COMPANY | THE 250KM WAVE（祝！九州） | 2011
On February 20, 2011 (2/20), from the window of a shinkansen running 250km from Kagoshima-Chuo Station to Hakata Station, a wild plan was carried out: film 15,000 people gathered along the route and turn it into a commercial. One shot, no retakes. If it rained, it was over. If no one showed up, it was over. But all that worry was blown away on the day all of Kyushu waved.
THE TOPSY FOUNDATION | SELINAH | 2010
Just playing the footage in reverse, that's it. But when I heard they kept the camera rolling every single day for 90 days to make that work, I was speechless.
PlayStation | Play Face | 2009
Emotion shows on your face. That's basically what the word "expression" means, so it's obvious - but this campaign captured that obvious truth head-on. The faces of people playing a game. That's it. But that's everything.
NYC & CO. AND WARNER BROTHERS | Oasis Dig Out Your Soul In The Streets | 2009
In September 2008 (month 9), on the New York subway, a street musician was playing a brand-new Oasis song that hadn't even been released yet.
PETRONAS | TAN HONG MING IN LOVE | 2008
A seven-year-old boy who wasn't even supposed to be the subject of the shoot ended up winning Malaysia's first-ever Gold Lion at Cannes. No script, none at all.
VOLVO | LIFE ON BOARD PROJECT | 2005
In 2005, Volvo made a car ad that stopped talking about cars. Just by letting people talk about their lives, it became the first ad ever to win a Titanium Lion at Cannes.
JOHN HANCOCK FINANCIAL SERVICES | Real Life, Real Answers | 1986
Cannes, 1986. The moment director Joe Pytka stepped onto the stage, the room erupted in a roar of boos. This ad, which had just won the Grand Prix, wasn't welcomed by the French audience. "This kind of reality doesn't belong in advertising," they seemed to say. But that was exactly the point of this campaign.