Subject

family

73 articles

What really gets you swimming is everyone cheering you on / Aquarius "NEW YOU Campaign: I Want to Be Able to Swim"
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アクエリアス | NEW YOU キャンペーン 泳げるようになりたい | 2024

What really gets you swimming is everyone cheering you on / Aquarius "NEW YOU Campaign: I Want to Be Able to Swim"

This is a video following a 75-year-old grandmother over 30 days, starting from when she could barely even put her face in the water, as she works toward swimming 25 meters freestyle. It's lovely to see swimmer Kosuke Kitajima coaching her wholeheartedly, showing that age doesn't matter when you want to swim. But what really makes this commercial so moving isn't that part.

A Mom Shines Through Her Fandom, and Gas Barely Gets a Mention / TOKYO GAS "Mom's Fan Life"
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東京ガス | 母の推し活 | 2023

A Mom Shines Through Her Fandom, and Gas Barely Gets a Mention / TOKYO GAS "Mom's Fan Life"

There are a few ad series I look forward to every year, wondering "what will they do this time" — and Tokyo Gas's brand ads are one of them. Their "Family Bonds" series, running since 2008, has delivered one gut-punch after another straight to the Japanese heart, starting with the famous "Lunchbox Email" spot. I admire their work. The 2023 entry, "Mom's Fan Life," tells in 90 seconds the story of a mother who falls for a K-pop idol thirty years younger than her and watches her life open up as a result. It became a huge hit, racking up over 5 million views on Twitter within three days. This time, though, I found myself thinking "it's good, but..."

Nothing beats a memory / McDonald's "The Reason I'm Here"
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マクドナルド | 家族といっしょに。「僕がここにいる理由」 | 2021

Nothing beats a memory / McDonald's "The Reason I'm Here"

7/20/1971. The day Japan's first McDonald's opened in Ginza. In 2021, it turned 50. This commercial wraps up those 50 years into a single story. Miyako Miyazaki plays two roles: "a junior high school girl on a date at McDonald's 50 years ago" and "the same woman today, eating a Big Mac with her grandchild." A 62-year-old playing a junior high schooler. Just that alone is enough to make you tear up.

I Laughed for Seven Straight Minutes / Apple "The Whole Working-From-Home Thing"
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APPLE | The Whole Working-From-Home Thing | 2020

I Laughed for Seven Straight Minutes / Apple "The Whole Working-From-Home Thing"

In July 2020, right in the middle of the pandemic, a seven-minute short film arrived from America. It was called "The Whole Working-From-Home Thing." And yes, it was exactly that: kids bursting into meetings, dogs barking, video calls in pajamas, screen-share mistakes, and somehow still making the deadline. The video crossed 10 million views within two days of release. As a sequel to 2019's acclaimed "The Underdogs," it wrapped the chaos that literally everyone was living through in humor.

Why Did They Turn It Into a Song? / Tokyo Gas "Ganbare Watashitachi"
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東京ガス | がんばれ私たち | 2020

Why Did They Turn It Into a Song? / Tokyo Gas "Ganbare Watashitachi"

In November 2020 (11/2020), right in the middle of the pandemic, Tokyo Gas aired this commercial. A 25-year-old woman chasing her dream of becoming an actress lives through days that don't go the way she wants, all set to a song sung by actress Shizuka Ishibashi herself. Her father shows up in his little truck, her grandmother cheers her on through a smartphone screen, and that's when I gave up fighting the tears.

富士通テン ECLIPSE(イクリプス) | Father's Drive | 2017

An Experiment: Can You Recognize Your Father's Driving, Even Blindfolded? / FUJITSU TEN ECLIPSE "Father's Drive"

I stumbled on this while looking into something else, and ended up watching the whole thing without meaning to. It's an experiment where blindfolded kids try to pick out their father's driving from among three different drivers. The way the question is set up is great — it sits right on that line of "hmm, could they actually do it?"

In This Case, the Target Must Be the Parents / CALORIEMATE "Yume no Senaka" (The Back of Dreams)
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カロリーメイト | 夢の背中 | 2016

In This Case, the Target Must Be the Parents / CALORIEMATE "Yume no Senaka" (The Back of Dreams)

This CALORIEMATE commercial cheering on students taking entrance exams follows a year in the life of a son grinding through a second attempt at university entrance exams, from the mother's point of view—from the day he decides to repeat the year to the day of the exam itself. Niiro Murakami, who shaved off his long hair for the role, plays the son, while Misuzu Kanno plays the mother who watches over him with quiet warmth. The soundtrack features Ryota Fujimaki's own cover of Remioromen's song "March 9th."

A Quiet Night of Longing Over a Trampoline / John Lewis "Buster The Boxer"
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John Lewis | Buster The Boxer | 2016

A Quiet Night of Longing Over a Trampoline / John Lewis "Buster The Boxer"

John Lewis's annual Christmas ad is a tradition by now. The star of 2016 is a dog named Buster. He wants, more than anything, the trampoline hidden in the garden—but it's actually a present for a little girl named Bridget. Night after night, wild animals sneak out to bounce on it, and Buster just watches. On Christmas morning, it's Buster who bolts outside before the girl even gets there.

At the end of the year on this planet, Miyuki Nakajima hits you right in the heart / Suntory BOSS "Headlight, Taillight"
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サントリー BOSS | ヘッドライト・テールライト | 2015

At the end of the year on this planet, Miyuki Nakajima hits you right in the heart / Suntory BOSS "Headlight, Taillight"

Less weirdness, more love — that's what I felt watching this commercial when it aired at the end of 2015. The Alien Jones series started out as a bit of an odd concept, but it's been quietly turning into "the way things just are," and honestly, I'm starting to think it's heading toward becoming a truly moving epic. I'm looking forward to it. Really looking forward to it.

Was He Observing, or Just Left Out? / Apple "Misunderstood"
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Apple | Misunderstood | 2015

Was He Observing, or Just Left Out? / Apple "Misunderstood"

I'm seriously obsessed with this one. I can still vividly remember what I felt the first time I watched it. It shows a shy teenage boy who isn't exactly disliked by his family but definitely isn't the center of attention either, acting in his usual unimpressive way. The mood turns slightly sour, with a vibe of "come on, it's Christmas, put the phone down and spend time with the family" — and then the whole thing flips completely around. I love how skillfully it plays with your emotions.