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What's Lost and Gained Over Two Years / Kirin Afternoon Tea "Aitai tte, Atatametai da. 18 Fuyu"
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キリン 午後の紅茶 | あいたいって、あたためたいだ。18冬 | 2018

What's Lost and Gained Over Two Years / Kirin Afternoon Tea "Aitai tte, Atatametai da. 18 Fuyu"

This series began in winter 2016, and apparently this is its conclusion. It's the kind of project where the casting alone practically guarantees success, but using the same actors across multiple years takes it even further. You can clearly see, right there on screen, what's been lost and what's been gained, and in that sense a different kind of charm emerges.

Is There a Formula for Something You Want to Watch Again and Again? / Metro Trains Melbourne "Dumb Ways to Die"
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Metro Trains Melbourne | Dumb Ways to Die | 2012

Is There a Formula for Something You Want to Watch Again and Again? / Metro Trains Melbourne "Dumb Ways to Die"

I believe this one swept multiple Grand Prix categories at Cannes, and I ended up watching it so many times I nearly died. It got me thinking there must be some kind of formula for a film that can withstand being watched over and over. Music is probably a huge part of it, and this campaign has an incredibly good song. Which makes me realize that ad planners can't just be experts in how a film scene is crafted—they also need to know music inside and out. It really is a total art form. Amazing stuff.

"Your voice is way too loud!" laughed the senior. Viewers cried. / Kirin Afternoon Tea "I Want to See You, I Want to Warm Up"
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キリン 午後の紅茶 | あいたいって、あたためたいだ。 | 2016

"Your voice is way too loud!" laughed the senior. Viewers cried. / Kirin Afternoon Tea "I Want to See You, I Want to Warm Up"

A quiet train platform. A high school girl with white headphones suddenly bursts into song, loud enough to reach the skies over Mount Aso. There's a bit of a puzzle about whether Moka Kamishiraishi's character could actually hear the sound of a drink dropping from the vending machine, which leaves you a little unsettled—but even setting that aside, this is still a wonderful piece of work.

Nothing beats a memory / McDonald's "The Reason I'm Here"
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マクドナルド | 家族といっしょに。「僕がここにいる理由」 | 2021

Nothing beats a memory / McDonald's "The Reason I'm Here"

7/20/1971. The day Japan's first McDonald's opened in Ginza. In 2021, it turned 50. This commercial wraps up those 50 years into a single story. Miyako Miyazaki plays two roles: "a junior high school girl on a date at McDonald's 50 years ago" and "the same woman today, eating a Big Mac with her grandchild." A 62-year-old playing a junior high schooler. Just that alone is enough to make you tear up.

No Explanation at All. The Answer Is "=SoftBank" / SoftBank Brad Pitt & Cameron Diaz Campaign
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ソフトバンク | ブラッド・ピット&キャメロン・ディアス シリーズ | 2006

No Explanation at All. The Answer Is "=SoftBank" / SoftBank Brad Pitt & Cameron Diaz Campaign

I remember the first time I saw this on TV, I actually said "whoa" out loud. You could feel the sense that SoftBank had bought Vodafone and was coming out swinging at the market, and then boom, there's Brad Pitt and Cameron Diaz. It's a commercial that's purely about looking cool, nothing else. And it taught me that sometimes just being cool is enough.

The one that suddenly popped back into my head while washing dishes / Lion "Charmy Green" CM 1992
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ライオン | チャーミーグリーン | 1992

The one that suddenly popped back into my head while washing dishes / Lion "Charmy Green" CM 1992

I was washing dishes just now when this suddenly came back to me out of nowhere. Songs really do stick in your brain in a scary way. Along with that tune — "Using Charmy Green makes me want to hold your hand~♪" — the image of a married couple holding hands and dancing while they shop comes rushing back, and even now, more than 30 years later, I can picture it vividly. Just that alone tells you this ad was a win.

Make a Commercial That Old Guys Won't Understand / Nissin Cup Noodle "SURVIVE!"
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日清カップヌードル | SURVIVE! | 2013

Make a Commercial That Old Guys Won't Understand / Nissin Cup Noodle "SURVIVE!"

In 2013, Nissin went and did something wild. A young office worker in a suit of armor charges into a Western army, shouting "Nice to meet you!" before getting blown away by a cannon. A job-hunting student gets grilled by a polar bear interviewer in a blizzard, and at the beach, a monstrous shark attacks people, demanding "likes!" It's completely absurd, yet it captures the mood of 2013 exactly as it was.

富士通テン ECLIPSE(イクリプス) | Father's Drive | 2017

An Experiment: Can You Recognize Your Father's Driving, Even Blindfolded? / FUJITSU TEN ECLIPSE "Father's Drive"

I stumbled on this while looking into something else, and ended up watching the whole thing without meaning to. It's an experiment where blindfolded kids try to pick out their father's driving from among three different drivers. The way the question is set up is great — it sits right on that line of "hmm, could they actually do it?"

The 'Tomorrow' That Lit a Fire in Every Salaryman's Heart / GEORGIA "There's Always Tomorrow"
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ジョージア | 明日があるさ | 2000

The 'Tomorrow' That Lit a Fire in Every Salaryman's Heart / GEORGIA "There's Always Tomorrow"

On 8/26, 2000, Coca-Cola Japan's canned coffee brand GEORGIA used Kyu Sakamoto's song "There's Always Tomorrow" in a commercial, and it became an unprecedented revival hit. Both the commercial and the campaign turned into a huge talking point. When it was later made into a TV drama, the first episode pulled a 29.0% rating — the seventh-highest debut rating ever for a commercial broadcaster's drama series, and the highest ever on Nippon TV. That's how big this was.

Job hunting isn't a solo sport / Recruit Rikunabi "Yuko Yamada's Job Hunt"
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リクルート | 山田悠子の就職活動 | 2015

Job hunting isn't a solo sport / Recruit Rikunabi "Yuko Yamada's Job Hunt"

A crowd in blue uniforms is shouting "Yamada! Yamada!" at a giant screen, just like soccer fans cheering on Japan's national team. But what's on screen isn't a match — it's Yuko Yamada, in a job-hunting suit, going through her job search. Her awkward face during an interview, getting her ID photo taken — it's all up there on the screen, and the crowd is cheering for every bit of it.

The Magic of Becoming a New Me Was at the Bathroom Sink / Shiseido "Become a New Me"
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資生堂 | あたらしい私になって | 2006

The Magic of Becoming a New Me Was at the Bathroom Sink / Shiseido "Become a New Me"

She just got dumped. She's on the verge of tears. But she washes her face, pats on some lotion... and little by little, you can feel her starting to turn hopeful again. This corporate commercial, released by Shiseido in the summer of 2006, talks about the value of makeup not from the "makeup" side of things, but from the "skincare" side. Kumaki Anri's simple, warm singing voice was as delicate and beautiful as the footage itself.

The Power to Pull You Straight Into the Story / JR Central "Christmas Express" Riho Makise 1989
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JR東海 | クリスマス・エクスプレス | 1989

The Power to Pull You Straight Into the Story / JR Central "Christmas Express" Riho Makise 1989

When this commercial came on TV, it was nothing but pure excitement. Breathing in the air of the 1989 bubble economy, set to Tatsuro Yamashita's "Christmas Eve," Riho Makise dashes through Nagoya Station. It's only one minute long, but it leaves you with the happy afterglow of having watched a short film. Even now, the scene where 17-year-old Makise hides behind a pillar, waiting, hits with incredible force.